Metamorphosis

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The Metamorphosis by Franz Kafka, and The Stranger by Albert Camus are very different in approach, although their endings are similar in that they both support the basics of existentialism. Existentialism is defined as a philosophical movement that human beings are completely free and responsible for their own actions. Existentialists will try not to cause waves and remain completely uninvolved with anyone because they do not want to hurt anybody. There is absolutely no such thing as an existentialist because he would have to be so uninvolved to the point where he would not be able to live at all. In the two following novels, The Metamorphosis and The Stranger, the main characters Gregor and Meursault, prove to be the existentialist characters that they are, through their daily lives, leading to their horrible fate at the end.

The biggest difference between the two characters Gregor and Mersault is their physical form. One has changed physically into a giant insect while the other remains a normal human being. Another difference is the situation between the characters and their mothers. Gregor wants to have a relationship with his mother but cannot because of his physical form. Mersault's mother is alive and well for part of the novel, but he does not want to take care of her or have anything to do with her. The two characters are similar in the way that they do not believe in God and will both die lonely and abandoned.

Kafka creates a very lonely and abandoned world for Gregor Samsa in his short novel Metamorphosis. Gregor is an existentialist character who mutates into a giant bug without reason and no longer has any control over his life. He becomes completely uninvolved in the way that he does not talk or have any interaction with anyone inside or outside of the family. He is dehumanized. Gregor's mother is disgusted by the looks of him and refuses to see or talk to him. Gregor is now lonely and abandoned by his family, does not eat and eventually dies. He seems be to quite the existentialist as Kafka portrays him as a workaholic, pessimistic, and tedious person, who basically lives the same boring life everyday. He gets up and goes to work( as a salesmen) providing for his family with no cares in the world, as he thinks that it his duty and just "what he has to do" in life. His view on life seems to be quite short and simple just live life, and do what you must do. A perfect example of this is when he mutates into a bug, and wakes up thinking that he is still able to move on to work. When he wakes up, Gregor does not seem to be in any real shock, and in fact is really passive believing that his work was more important then his obvious metamorphosis into a bug. Over time, Gregor excepts his transformation, knowing he is a monstrous vermin who is unable to do what he used to do in life, so his final decision was the choose the likes of death by starving himself.

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In the short novel The Stranger it was Camus who first introduced the idea of absurdity into the realm of existentialism. To absurdity springs from Mersault, who is an existentialistic character in relation to the world in this book, and the idea that he exists as a human being in society is inexplicable and wholly absurd. He does not wish to become involved with anyone, including God and his own mother and does not have any emotion what so-ever when she dies. Although Mersault does not want to become involved with anyone, he also does not want to create waves, thus he cannot help but to say yes to a friend when he asks him for help. He becomes susceptible to the physical. Mersault takes responsibility for his actions by being executed after he commits murder. The philosophy of The Outsider is a philosophy of the absurd. Its protagonist, Monsieur Meursault; a middle class bachelor with a painfully simple life, is viewed as indifferent in the eyes of society. He does not care and is not ashamed of it. But his indifference is not one of callousness but stems instead from the benign indifference of the universe in relations to his own existence. Camus has wittingly created his main character as a reflection of his own moral axiom that life is absurd and nothing else matters besides ones own conscious existence. Meursault is a stranger, an outsider, one who is at constant odds with the absurd society he inhabits. It's amazing how Meursault just drifts through his life, not really noticing his important surroundings and everyday life. The only thing that he actually notices is the 'hot sun' which he looks up to once in a while as he is walking in his daily life. He seems to be quite the dull, passive and submissive person as Camus portrays him, and yet he seems to be so intriguing and an interesting character too. Meursaults existentialist character is what makes him what he is in this novel, and shows him to be relatively shallow and in a sense superficial.

Both the stories' endings support the basics of existentialism by demonstrating the following rules responsibilities, loneliness, abandonment, no control, do not cause waves and the act of being uninvolved. Gregor and Mersault demonstrate all of these characteristics; however they do cause waves. As a result of Gregor's metamorphosis his entire family must change their lives and Mersault creates waves by committing murder. Unfortunately, whether it be because of their existentialistic characteristics or not, they both share death which comes to them at the end of the story. Perhaps the main thing that they share in common, is that they both "bond" as existentialist characters, even though they may differ in physical form, the core of the characters Gregor and Meursault are solely based on existentialism.

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