Future Career Opportunities

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From the beginning of a child's life parents always dream of what their kids will grow up and be. Every parent's dream is for their kid to be very successful and make a good living. Many parents dream of their kids being very rich. Lawyers and accountants make the money parents dream of their kids making. A lawyer as well as an accountant make the big bucks everyone dreams of making. These are two great careers one should explore when thinking about a lifetime job. These two careers are both good choices, but they have their differences. Among these differences are their salaries, education requirements, and skill requirements.


Lawyers and accountants both make great money, but their income can differ. The amount of money one earns depends on several factors. Most accountants coming out of college with a bachelor's degree earn between $,000 and $5,000 a year. Senior accounts can earn up to $50,000 a year. Owners and partners of firm can earn $100,000+ a year. These opportunities are rare, but can be reached. An accountant with a major earns considerably more than one with just a bachelor's degree. A CPA makes more money than all the rest of accountants. Lawyers can make even more money than accountants. Lawyers starting in salaried positions earn an average of $7,000 a year. Starting salaries with the federal government are about $,00 to $6,000 depending upon their education level and specialization. An experienced lawyer in a private practice earns an average of $115,000 a year, as compared to an experienced lawyer working for the government who earns about $68,000 a year. The potential money is enough to make anyone want to be a lawyer or accountant. But, before making the big bucks, one must first obtain a degree.


College is a must for an accountant or lawyer. The minimum educational requirement for accountants is a bachelor's degree in accounting. Programs for obtaining a bachelor's degree are offered throughout the country. Some positions require one to have a master's degree in either accounting or business administration. One with a master's degree can earn considerably more money than someone with just a bachelor's degree. Continuing education courses to renew their license is required for those holding CPA designation. Educational requirements for lawyers include a bachelor's degree plus three years of law school. In order to get into law school, one must first take an examination called the LSAT (Law School Admission Test). One must also graduate from an American Bar Association, which means it is an approved college or university. After completing law school one must take yet another test. This one is the bar examination. One must take it for the state in which they plan to practice. After passing this, one can begin the law practice. After obtaining a degree, the next step is to find a job.


There are vast areas in which one can practice law or accounting. Employment for accountants is broad. Accountants may work in one of the following areas public accounting firms, federal government, corporations in an industry, state government, or local government. The 1st century offers great job opportunities for accountants. In Jane Shaddrix's book The Accountant Today, she says, "As tax laws and other financial matters become more complex, the demand for accountants will grow tremendously" (116). There is expected to be hundreds of new jobs for upcoming accounts in the next five years. Job opportunities will be easy to find. A good law job is important as well. There are many choices. In Shelly Field's book 100 Best Careers for the 1st Century, she says, "Careers in law are as varied as the people who work in the field" (181). Individuals may choose several paths to take. One may work in large firms, small firms, or in their own private practice. They may also work in corporate legal departments or in legal aid offices. There are many areas in which a lawyer can specialize. They may specialize in areas including criminal law, patents and trademarks, tax law, corporate law, aviation law, maritime law, family law, general law, government law, etc. There is expected to be many job opportunities for the 1st century. Shelly Fields say, "Given the demographics of society, the new century will most likely see specialization in law for the elderly." One has many opportunities for a job once receiving a law or accounting degree.


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When looking for a career, one should explore vast fields of study. Not everyone is meant to be a lawyer or accountant. The ones who do become lawyers or accountants will fulfill their parents dreams of them someday making the big money everyone dreams of. The school is lengthy, but in the long run a job as a lawyer or an accountant can be very beneficial.


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Charlottes web

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A major theme that runs though Charlotte's Web is that of cycles of life, especially death and rebirth. Many things change for the characters in chapter 1. Wilbur goes though a metaphorical birth and death. Charlotte is at the start of her physical death and rebirth. And Fern has moved on from her friendship with Wilbur.


This is highlighted at the start of chapter 1. The chapter starts at the beginning of a new day, this is symbolic of what is about to go on in the story. The start of a new day is the start of that days 'life' or the start of its cycle. When night comes it the day 'die's' it comes to the end of its cycle. And the next day it is 'reborn' and it starts its cycle again. This mirrors the metaphorical death and rebirth Wilbur is about to go on and the Charlotte's physical death and rebirth.


Wilbur (if has know it or not) has been avoiding death all his life. When he was first born Mr Arable was going to kill him for being a runt. But he was saved by Fern. At the Zuckerman's farm the goose told him that he was going to be killed in wintertime. Charlotte then saved his life by writing words in her web, that show everyone just how special he was. In Chapter 18 Wilbur is worried about his life again. He asks Charlotte if she thinks he will die at wintertime. Charlotte replies that she think he will win the prize. He might even live-forever? Wilbur then asks what she is doing; she replies that she is making something for herself. Charlotte seems a little different.


Chapter 1 changes the focus from Wilbur trying to prolong death onto Charlottes impending death. The theme of life cycles is raised again when Charlotte lets Wilbur that she wont be able to see her children in spring.


If the next season is spring it is logical to assume that that it would be very close to winter. Both winter and spring have connotations that reflect the story. Charlotte dies in winter which is symbolic of death, and she metaphorically is reborn though her children especially 'Joy', 'Aranea' and 'Nellie'


It's interesting to note that Charlotte dose her greatest work in the last moments of her life. She have laid all her children, and wrote the words that will ensure Wilbur a long life in her web. She dies soon after.


Her physical rebirth will take place in the form of her childen and especially …


Wilbur's metaphorical death starts the moments Charlotte lets him that she is dieing. Though the text never dwells on Wilbur's response it can be assumed that he would be never sad to here his as he is a very loving and caring pig. He looks up to Charlotte as a mother figure. He might also feel guilty that she has spent all this time protecting him, while her own life is slipping by her.


This bad new is immediately impacted with more bad news from Templeton. He tells them that the pig next door has won the prize. And he suggests that Mr Zuckerman might 'change his mind on him' this feeds into Wilbur's insecurities. Wilbur becomes doubly paranoid as he knows he wont have Charlotte to protect him anymore. Also (though Wilbur doesn't know it) Fern has grown apart from him. He was now lost all the people he hold close to him. His 'rebirth' happens when he has a realisation of his true identity. When Charlotte writes 'Some Pig' Wilbur doubt's that he really is 'Some Pig'. Next when Charlotte writes 'Terrific' he tells Charlotte that he isn't Terrific. When she writes 'Radiant' he starts to believe that he is radiant.


It is interesting why Charlotte has chosen the word 'humble' as her last message to the world. She has chosen this word because it best typifies Wilbur. Charlotte examples to Templeton the duel meaning of the words humble 'Not Proud' describes his personality and on a lighter not it describes his physicality as he is 'near the ground'. His 'rebirth' happens when Mr Zuckerman says "Now isn't that the word for Wilbur" Because Mr Zuckerman is rejoicing in who Wilbur is, not that there is writing in the Web. This makes Wilbur been loved and safe. Wilbur fears are but the rest when he wins the special prize.


This chapter is also about Fern's moving on. While both the families are morning the loss of the prize Fern is more interested in the attractions of the fair, she asks her mother for money and she is abruptly cut down. She cries because of it, not because Wilbur has lost first prize.


After the find out that Wilbur will get a special prize Fern is excited but this is short lived as she soon asks for more money, once again she is denied.


This shows she would rather play at the fair than see Wilbur get his prize. At the end of the chapter we find out that she wants to go play with 'Henry Fern'.


It can be seen that Chapter 1 deals with the themes of 'life cycles, metaphorical, and physical 'death' and 'rebirth'. The language, style and structure takes Wilbur though a metaphorical birth and death, and Charlotte though the beginnings of her physical death and rebirth.


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Print advertising 'it runs in the family'

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Any advertisement, whether it is on a billboard, magazine page, or television screen, the advertising firm and people associated with its creation try to get a unique message across to a preferred audience. This is usually done by using manipulative techniques to encourage a response in the advertisement's target audience. There are many techniques used to manipulate the viewer, those of which would be all related to the AIDA theory of attention, interest, desire and action. The use of these four core techniques provide a good basis on how successful the advertisement would be. Creators of a particular advertisement incorporating these techniques in a way that aren't usually distinguishable at first. With the print advertisement of "It Runs in the Family" a number of these factors that determine the successfulness of the advertisement come into account.


Through genre, a target audience which every advertisement has is determined by the genre. For this particular advertisement for "It Runs in the Family", the particular audience it's aimed at is noticeably of family. The most obvious feature of determining the target audience is of the slightly casual and formal type portrait of a family as the advertisement's main image. The fashion in which the advertisement is advertised suggests that it is mainly aimed at adult audiences which are reaching, past or are at the family stage of their life. The impact on any other audiences is fairly light because simply, the film isn't set out to attract them particularly. Such as trying to get people who view action movies to see "It Runs in the Family" where simply, it won't work out because these action viewers are interested in heavy, blown up advertising, not a main image of a family.


The advertisement persuades the target audience to fall for the movie in a sly way. This slyness is done in a fashion where the symbols and use of language is presented in way to best suit the target audience and have persuasion. One way is through the slogan of the movie being "Some families can survive anything. Even each other" how it sums up the movie in a small phrase, making people curious and want to find out about the movie. The two main actors in the movie are father and son and the title of the movie, "It Runs in the Family" gives the sense of the saying like father, like son which tells us that some characteristics of one character is the same of another character. This would immediately bring out the point that a character in the movie wants to be unique, but is frustrated that they have inherited another characters attributes and wants to rid of these. The captioned text the advertisement has gives us hints that this is true.


The way the family is presented to us is that they are giving the impression that they are of middle to upper class of society. They are all well dressed, being in trend for the younger family members and upper-class style clothes with jewellery for the two elderly members. From the impression that the photo gives us as they are middle to upper class, they would be bonded and in touch with one another where they would have qualities of a typical family.


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The advertisement encourages societal values by promoting a family that sticks together no matter what is thrown at them, which is encapsulated by the advertisements tag line of "Some families can survive anything. Even each other." Families would also be attracted to the film by as the final line of the caption being "about the loving, frustrating, reassuring, insane and ultimately inescapable bonds of family" which promotes a typical family where issues like the caption states are faced by families worldwide.


A gimmick used to achieve the advertiser's purpose also persuades the reader to take action and gains their attention and interest with viewers of the advertisement being drawn to a chance to "Win one of 50 double movie passes" stated boldly which is attached to a coupon. Some viewers might ignore the competition and read the article anyway. The aim of the bold heading would be to gain the attention of viewers for a competition, then persuade them to read the article as a type of condition attached to the competition through a decision to see the movie.


I think this advertisement would be successful for its 'family' orientated audiences. Being apart of the 'family' genre which is more challenging to sell to, the advertisement has implemented aspects of attention, interest, desire and action effectively. Through its use of these factors, this particular advertising campaign as a magazine advertisement would be successful. The creators have used unique features of the factors to successfully make the advertisement work.


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"Othello"

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Jennifer Farley


Professor Marino


English 10


Oct. , 00


Iago, a solider, in the play Othello, The Moor of Venice, and Arnold Friend, a character in the short story "Where Are You Going, Where Have You Been", are villains that share similar methods. Both villains use lies, deception, and taunt their victims to succeed in their evil schemes.


Iago, a soldier, who serves under Othello, is a military leader he hates with a passion. Not only was Iago passed up by Othello in promotion, but Othello also slept with his wife. Throughout the play Iago portrays himself to Othello as a friend, someone he can trust, but early in the play we learn that Iago is in to destroy Othello to succeed in his own self-revelation.


"I follow him to serve my turn upon him. We cannot all be masters, nor all masters cannot be truly followed….. Keep yet their hearts attending on


themselves, and, throwing but shows of service on their lords, do well thrive by them, and when they have lined their coats, do themselves homage……Where I the Moor I would not be Iago. In following him, I follow but myself- heaven is my judge, not I for love and duty, but seeming so for my peculiar end. For when my out ward action doth demonstrate the native act and figure of my heart in compliment extern, 'tis not long after but I will wear my heart upon my sleeve for daws to peck at. I am not what I am (Shakespeare, 61)."


Othello is blind to Iago's dishonesty, he confides in Iago for advice regarding Desdemona.


"My life upon her faith! Honest Iago, my Desdemona must I leave to thee. I prithee, let thy wife attend on her, and bring them after in the best advantage….(Shakespeare, 650)."


Arnold Friend, a peculiar individual in his forties, is a crazed man. He has eyes you couldn't forget. They looked as though they were chips of broken glass, and he also has a reassuring smile. A smile that could be trusted, but unbeknown to Connie, she too would be a victim of lies and deception.


"I know your name and all about you, lots of things," Arnold Friend said. "I took a special interest in you, such a pretty girl, and found out all about you like I know your parents and sister are gone somewheres and I know where and how long they're going to be gone, and I know who you were with last night, and your best girl friend's name (Oates, 1)."


Iago and Arnold Friend are both masters of deception, lying to their victims to gain their trust.


Another scheme Iago and Arnold Friend master, is the way they intimidate others.


Iago harasses his wife Emilia, calling her names, to give him a handkerchief that she had found. Not knowing that Iago would use this evidence against Desdemona, Emilia's lady, to destroy her marriage with Othello.


"You have a thing for me? It is a common thing- to have a foolish wife…. A good wench! Give it me (Shakespeare, 6)."


Arnold Friend talks to his victim Connie has if she is a helpless child. Brain washing her to do as he says.


"Yes, I'm your lover. You don't know what that is but you will," he said. "I know that too. I know all about you. But look it's real nice and you couldn't ask for nobody better than me, or more polite….I'll hold you so tight you won't think you have to try to get away or pretend anything because you'll know you can't. And I'll come inside you where it's all secret and you'll give in to me and you'll love me (Oates, 1)."


"…. you had to wash your hair and you washed it for me. It's nice and shining an all for me, I thank you sweetheart (Oates, 14)."


Admiring their work is what villains enjoy the most. Iago savors the moment when he knows he as defeated Othello. After Iago's first plan failed, he thrived on bringing Othello to his death. He doesn't win and ravish in his evil work until he finally prevails in defeating Othello.


"And what's he then that says I play the villain, when this advice is free I give, and honest, probal to thinking, and indeed the course to win the Moor again? For 'tis most easy th' inclining Desdemona to subdue as fruitful as the free elements…How am I then a villain, to counsel Cassio to his parallel course directly to his good…. As I do now. For whiles this honest fool plies Desdemona to repair his fortune, and she for him pleads strongly to the Moor, I'll pour this pestilence in to his ear…. So will I turn her virtue into pitch, and out of her own goodness make the net that shall enmesh them all (Shakespeare, 676,677)."


As for Arnold Friend, he gets gratification watching his victim obey his ever last command. Speaking to his victim as if she is under his hypnosis. Connie concentrates on his voice as if he is casting a magic spell.


"Now turn this way. That's right. Come over here to me-Ellie, put that away, didn't I tell you? You dope. You miserable creepy dope. Now come out through the kitchen to me honey and let's see a smile, try it, you're a brave sweet little girl (Oates, 16)."


Masters of deception, lies, and succeeding in conquering their evil plans, both Iago and Arnold Friend partake in similar methods as villains.


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Physical education in the schools

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Brown Girl, Brownstones(Going Home again)

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Going Home Again


In Paule Marshall's novel Brown Girl, Brownstones the story takes place in the America of the 150ties where union with the ideals, values and traditions that declare one an "American" is only possible beneath one skin, the white skin. Every other skin exists in a fractured double consciousness; lost in duality, vainly seeking a unification which endlessly eludes the non-white experience. W.E.B Dubois wrote in his paper The Souls of Black Folk "Why did God make me an outcast and a stranger in mine own house?" Selina, the central character of Brown Girl, Brownstones, is an outcast and a stranger in two worlds; the Bajan world of her mother and the American world of her birth but this is a choice that Selina makes as she seeks an identity that is her own.


A child's identity is obtained through the union of their parents; Selina's small soul cannot take root in the war torn home of her parents. The constant struggle between her parents destroys her sense of wholeness by dividing her consciousness between them. In contrast to the placid and unquestioning countenance of her friend Beryl, Selina is a fiercely independent thinker. At Beryl's party Selina questions Beryl "I mean what do you say about anything? You begin everything with 'My father says this or that' or 'my father's gonna give me this or that '___ but what do you say, what do you want?"(Marshall 17). Beryl's willingness to be led by her father and the Bajan group fills Selina with an apprehension she does not understand. Selina is drawn to the security of Beryl's father directed life but also repelled by her total acquiescence to the authority of the group. Selina's rejection of what she cannot have (the committed unified family) makes an outsider of her.


It is this obeisance to the group that Selina's father was also unable to tolerate. But his reasons are very different from Selina's because his need to be important is the impetus behind his rejection of the Bajan community and its values. When Deighton spitefully shops away the $00.00 that Silla wants to use as a down payment for the brownstone she makes sure the entire Bajan Community knows. At the wedding Deighton becomes aware of the power of the group when they mock him with their song "Small Island go back where you come from" (Marshall 150). It is at this point that Selina also awakens to the power of her mother's community as she tries unsuccessfully to reach her father Marshall states, "My father's here. Lemme go" and again she struggled without success. Not only Beryl but the glaring lights, the loud song and the others dancers seemed to be holding her from him". (Marshall 14). When Deighton loses the use of his arm in an accident he gives up everything that is of value to him including his family and his identity and becomes whatever Father Peace requires of him. Sensing his weakness, Selina is unable to hold her father accountable for anything and instead she blames her mother and the Bajan community for the loss of her father. Her rejection of the entire Bajan community and its ideals is a means of punishing her larger than life mother who Selina sees as "the mother" rather than "my mother".


Unable to choose between her father's world and her mother's she rejects the Bajan world that represents them both and for a time assimilates into the American world through living the American experience. Life at the University that Selina attends becomes a vehicle for the "American experience" but the university life unwittingly deceives Selina simply by its focus on intellectual learning and creative expression. The University, as well as Selina's protected Bajan community, cannot prepare her to deal with the racism that is fundamental to the real world of the "American experience". When confronted with the hurtful prejudiced of the white American world Selina's spirit is for a time shattered. Marshall states "It would intrude in every corner of her life, tainting her small triumphs�as it had tonight and exulting at her defeats." (Marshall 1). At the core of this destructive sense of powerlessness is the belief that her blackness is bad Marshall writes "the part of her that had long hated her for her blackness and thus begrudged her each small success like the one tonight". (Marshall 8) This self-hatred reveals a dual consciousness common to the African American reality and thus declares Selina an American not a Bajan.


. Selina's inability to reconcile the opposing philosophies of her parents causes a dual consciousness in Selina that makes her susceptible to the double standards of American life. This double consciousness is revealed under the attack of Meg's mother forcing Selina to acknowledge her own internalized self-hate. However Selina's rejection of the Bajan world and the perceived rejection of Selina by white America forces Selina to seek a new identity in her parent's homeland. It is the first act of true independence for Selina; when she gives permission to herself to pursue her father's dream of going home again.


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House on mangoe street

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Discrimination and Poverty


House on Mango Street is a harsh, but truthful reality of a segregated ethnic group, living in poverty. This short story discusses the hardships a Latino community underwent in the 150's. The book confronts problems such as racial discrimination, female oppression, violence, theft, rape, sexual harassment, the lack of job opportunities, as well as the lack of quality education, and discrimination in schools. House on Mango Street, represents what most people don't know about life in the 150's. It takes a deeper look at America, and starts to reveal the dark side of what most people would call, "the happy days".


Esperanza, the main character in House on Mango street, is a young Latino girl who lives in Chicago in the mid 150's. She lives on Mango Street with her younger sister Nenny, her brothers, her mother, and father. Esperanza's father is a gardener for well off families, her mother is a stay at home housewife. Esperanza, and I would imagine many young people of similar circumstance during that period, didn't enjoy her life. She was ashamed of her ethnicity, and her family's economic situation She felt like she was trapped in the Latino ghetto, that she grew up in. She felt there was no way to escape. She didn't want to end up like her mother who toiled with household needs, and children. She wanted to be her own person, with an identity that she could be proud of. Throughout the book Esperanza dreams about a nice, big, wonderful house that's all her own. I felt that Esperanza believed that with a new house came a new identity. In this story Esperanza was confronted with many situations, which force her to redefine her identity. In the beginning of the story Esperanza explains her names origin. She states, "In English my name means hope. In Spanish it means too many letters." She then goes on to explain that she is named after her grandmother. She talks about how her grandmother didn't get to do the things she wanted to do in her life. "She looked out the window her whole life, the way so many women sit their sadness on an elbow." Esperanza says, "I have inherited her name, but I don't want to inherit her place by the window." Esperanza confronts the sexual oppression women face in the 150's.


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Esperanza's family worked hard to put their children in a respectable catholic school. Although Esperanza attended what was considered to be a good school, she was still looked down upon by her classmates, and teachers because of her ethnicity. One day a teacher asked Esperanza to show her where her house was. Esperanza does so, only to find the teacher expressing disgusted with her living situation. Esperanza faced many different kinds of discrimination throughout her life, in the Chicago ghetto. One day Esperanza, and some of her friends where playing in the street, a young man that they knew, cruised up in a lovely yellow Cadillac. The young man said, "hop in, and come for a ride with me." Just as Esperanza began to celebrate the good fortune of her friend, the sirens began to scream. It turns out that the Cadillac was stolen. Esperanza was experiencing the reality of living in poverty; with lack of money, and little economic power, people resort to crime.


The Latino community was determined to fit in with the American ways. One young friend of Esperanza's named Juan, went by the name Meme to try to fit in, and to be accepted by the white community. In one of the short vignettes, Cathy queen of cats, Esperanza becomes friends with a young neighborhood girl. The young girl says "I'll be your friend; but only until next Tuesday. The neighborhood is getting bad." The young girl was moving because her father didn't like the changes occurring due to the increase in the number of Latinos moving into the area. This young girl represents the tension and fear the white community had when interacting with different ethnic groups.


Esperanza, and some of her friends scrounge together $15.00 to buy a used bike for all of them to share. In their minds it was the best thing that could have happened, they had a "new" bike. A group of girls sharing one bike would not be a cause for celebration for a middle-class white family. The people in the white community weren't the only ones who felt safe with their own race. "All brown all around, we are safe," was an expression used in the Latino community. Esperanza quotes this when explaining the fear she had when driving in a neighborhood of another "color". She explains how she rolls the windows up, and keeps her eyes straight ahead.


The Latino community was tired of the lack of opportunity, and the immense amount of poverty they had lived with for so long. They witnessed the privileges, and opportunities that other people were given, and hoped that they to would be able to indulge in the same options. The Latinos wanted to be regarded by society as equal, yet maintain the diversity of their culture. Like the characters in the House on Mango Street, the Latino community, of the 150's, really wanted the freedom of equality, so much that they were going to be willing to fight for it in the Civil Rights Movement of the 160's.


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A Very Old Man with Enormous Wings

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The short story "A Very Old Man with Enormous Wings" by Gabriel Garcia Marquez exposes the tendencies of human nature and society in general. The reactions of all the members of the community to the events in the story reflect their inclinations as human beings, both good and bad.


Pelayo lives in rural area with his wife and child. One afternoon he was shocked to find that a very old man with wings was lying face down in the mud in his courtyard. At first he was frightened and ran to retrieve his wife to see what she would make of it. Upon her arrival they had both stared at the man together in a mute stupor for quite some time. This is a typical reaction from most people in such a situation. At first they were in a state of fear, fear of the unfamiliar. When people are exposed to a scenario that is out of the ordinary for them and conflicts with their everyday lives they grow afraid and even hostile. Then a stage of curiosity follows, Pelayo and his wife quietly observe the man from a distance as to gather any information they can about him. After observing the man who seemed frail and uncivilized they decide to call upon a neighbour who might be knowledgeable in such situations. She wasted no time in proclaiming that he must be an "angel". Her reaction to the man with wings was influenced purely by her faith. Her blind assumption was made because of what she has been taught and what she wanted to believe. This is typical of people who are very religious as they tend to interpret various events as having a deeper more meaningful significance.


"The angel was held captive in Pelayo's house." (Marquez 487) Marquez's choice of words reflects her intention to show Pelayo's hostility towards the angel. He also watched over him all afternoon with a bailiff's club. He is obviously uncertain of the angel and decides to imprison him and take no chances. He does not think very much of the angel because he "drags" him into in a chicken coop and locks him up among the hens. This act demonstrates basic human nature, the angel was old, unattractive, and decrepit, so he tosses him in a filthy coop. Pelayo judges him solely on his appearance, had the "angel" looked like an angel is supposed to like and had been all white, attractive, and sophisticated, Pelayo would most likely honour and respect him rather than treat him like an animal. Pelayo even considered putting him on a raft and leaving him to die on the high seas.


The members of the community quickly learned of this "angel" that has been found and they became very interested.


"The simplest among them thought that he should be named mayor of the world. Others of sterner mind felt that he should be prompted to the rank of five-star general in order to win all wars. Some


visionaries hoped that he could be put to stud in order to implant on earth a race of winged wise


who could take charge of the universe." (Marquez 488)


This shows the hopes and expectations of the members of the community. Many had dreams of grandeur and had relied on this angel to put an end to all worldly problems as if he was sent down from god. These expectations however were not rational, they were merely based on their own beliefs and the hype that this angel had generated. Human beings in general are always looking for the easy way out and the simplest way to get a means to their end. This angel served as the answer they had all hoped for.


As the story moves forward the people of the town come to realise that this angel was not at all what they had expected nor hoped for. They have grown hostile towards him, they had begun pulling out his feathers, throwing stones at him, or even burning him with an iron. This type of reaction is not unusual in such a situation, they have grown bored of this angel as he does nothing but lie still and try to make himself comfortable. This type of behaviour is exemplified in everyday life in the case of celebrities. As entertainers they keep us amused and fulfill our needs, but when their product turns stale or their songs get played out we lose interest and turn against them. We see this everyday on late night television where hosts poke fun at such celebrities, recently we have seen what the media hype has done to Michael Jackson's reputation. Meanwhile the carnival has come into town and suddenly everyone has forgotten about the angel and stopped caring. Why see the angel when you can see the tarantula woman? Something bigger and better has arisen and the people of the community have moved on to the next big thing.


Why do people act the way they do? Is it selfishness? It is a fact that man's greatest goal is his own happiness, therefore he can sometimes be insensitive to the people that he walks all over in order to achieve it. Altruism is possible, but even then man gains some satisfaction from his unselfish act, which contributes to his happiness. The society in this short story perfectly reflects human nature and how it sometimes can be ugly. However, for the most part individuals are able to differentiate what is and is not moral and act decently.


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Homer's, The Odyssey vs. The Coen Homer's, The Odyssey vs. The Coen Brother's, "O Brother, Where Art Thou?"

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Old stories are the best that is precisely what the Coen brothers determined somewhere while completing the script for O Brother, Where Art Thou? This huge hit, that has won more than a few awards, is based on Homer's epic, the Odyssey. It is an interpretation of the Odyssey set in the 10's Mississippi. It is Homer in the deep south. Watching it you will find numerous hilarious comparisons made throughout and if you are familiar with the epic at all you will find the similarities not only clever but the Coen brother's have actually taken this classic literature and made it understandable and enjoyable. A Coen brother said "We sort of combine the Three Stooges with Homer's Odyssey". The twists and turns the stories offer are numerous, exciting and enjoyable. Both renditions include a character who is trying desperately to return to his wife and family after a long absence; he is rarely at a loss for words and has travelled far and endured many hardships and strange characters including seductive sirens, an ominous Cyclops, and a flood, and like most men, he is doing it all in the name of love.


O Brother Where Art Thou's main character, Ulysses Everett McGill (Get it? Ulysses? Roman name for Odysseus, the main character in the Odyssey?) and his posse of two other penitentiary, chain gang escapees are driving along when they see three beautiful women washing clothes at a river. As in Homer's Sirens episode, the three women behave seductively toward the men. Everett, Pete, and Delmar are mesmerized as the women sing. After the three men drink whiskey from a jug, they pass out and when Everett and Delmar awake, Pete is missing. This scenario is similar to The Odyssey where Sirens including Circe the sorceress provocatively attempt to lure the characters to their ruin with their hypnotizing song. The characters of these two stories are tempted but do not follow their temptations.


In a poignant scene Everett and Delmar go into a town to get supplies. Here they run into a seemingly normal Bible salesmen. Big Dan is huge man with one googly eye, as the other eye is patched. Big Dan eventually gets manic, goes on a rampage, (paralleling The Odysseys scary Cyclops) knocks out both Everett and Delmar, and steals their money and their car. This incident, of course, is taken from the Cyclops episode in The Odyssey where Polyphemos, the Cyclops, bullies and takes advantage of the characters. The difference in the tales is that Homer's Cyclops eats his prey.


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The symbolism of the water in both tales are interestingly linked. Homers character, Poseidon has a need to constantly steer Odysseus's ship into dangerous spaces as he determines the course by drastically changing the wind to continuously put the men in treacherous situations. They find themselves in precipitous situations that include battling narrow channels, dodging deadly rocks, and hurricane-like winds that throws their sailing vessel into various perilous dramas. In the story O Brother Where Art Thou it offers the constant reminder of an upcoming flood which has the entire cast on their feet to beat the deadline. Both aquatic disasters will continuously attempt to the taunt the lives of all of the characters and can ultimately end life. The constant threat of a watery grave looms over all heads.


Throughout the movie and towards the end of the movie a cow is seen. He offers protection to the movie characters. The end of the movie this same cow is seen atop a floating house. This bovine is in direct relation to Zeus and his constant need to protect Odysseus. Zeus is the Alpha male heard, just as this cow is. They are both, throughout the epic and movie, protectors from evil.


In The Odyssey, Hephaestus, Aphrodites husband, was a doer of good deeds. He was always there to lend a hand to whomever needed it. Just as in O Brother Where Art Thou's African American singer, this character was extremely helpful to Everett and his boys. He gave them the gift of music and song which in turn gave Everett the ability to win back his wife, Penny who is waiting for our hero - at the end of the road. The interesting thing about these two good-doers is they both had a handicap. Hephaestus was crippled because he fell when Zeus cast him out of heaven. The character in O Brother Where Art Thou was considered inferior because of his color and race (Mississippi in the 10's).


Man against the world in perilous times. Both stories are enjoyable and some similarities arise but the fact remains the time frame and the locations and of course, the characters are very different. O Brother Where Art Thou introduces the non-literature loving to a classic epic written thousands of years ago. The interest that this movie sparked with its silly plot and goofy characters and song, and the fact that it won numerous awards including a golden globe leads me believe that this ancient story is still entertaining to those who take the time to read it. The Odyssey was the first and probably the greatest adventure story of all time. Each age has had its translator of Homer each finding in him the peculiar weather of that age. The Elizabethans found him a renaissance man, Alexander Pope found him to be an Augustan, Mathew Arnold, a Victorian. It was perhaps inevitable that T. E. Lawrence and W. H. D. Rouse, should have found him the father of the modern novel.


Please note that this sample paper on Homer's, The Odyssey vs. The Coen Homer's, The Odyssey vs. The Coen Brother's, "O Brother, Where Art Thou?" is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on Homer's, The Odyssey vs. The Coen Homer's, The Odyssey vs. The Coen Brother's, "O Brother, Where Art Thou?", we are here to assist you. Your cheap custom research papers on Homer's, The Odyssey vs. The Coen Homer's, The Odyssey vs. The Coen Brother's, "O Brother, Where Art Thou?" will be written from scratch, so you do not have to worry about its originality.


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Metamorphosis

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The Metamorphosis by Franz Kafka, and The Stranger by Albert Camus are very different in approach, although their endings are similar in that they both support the basics of existentialism. Existentialism is defined as a philosophical movement that human beings are completely free and responsible for their own actions. Existentialists will try not to cause waves and remain completely uninvolved with anyone because they do not want to hurt anybody. There is absolutely no such thing as an existentialist because he would have to be so uninvolved to the point where he would not be able to live at all. In the two following novels, The Metamorphosis and The Stranger, the main characters Gregor and Meursault, prove to be the existentialist characters that they are, through their daily lives, leading to their horrible fate at the end.


The biggest difference between the two characters Gregor and Mersault is their physical form. One has changed physically into a giant insect while the other remains a normal human being. Another difference is the situation between the characters and their mothers. Gregor wants to have a relationship with his mother but cannot because of his physical form. Mersault's mother is alive and well for part of the novel, but he does not want to take care of her or have anything to do with her. The two characters are similar in the way that they do not believe in God and will both die lonely and abandoned.


Kafka creates a very lonely and abandoned world for Gregor Samsa in his short novel Metamorphosis. Gregor is an existentialist character who mutates into a giant bug without reason and no longer has any control over his life. He becomes completely uninvolved in the way that he does not talk or have any interaction with anyone inside or outside of the family. He is dehumanized. Gregor's mother is disgusted by the looks of him and refuses to see or talk to him. Gregor is now lonely and abandoned by his family, does not eat and eventually dies. He seems be to quite the existentialist as Kafka portrays him as a workaholic, pessimistic, and tedious person, who basically lives the same boring life everyday. He gets up and goes to work( as a salesmen) providing for his family with no cares in the world, as he thinks that it his duty and just "what he has to do" in life. His view on life seems to be quite short and simple just live life, and do what you must do. A perfect example of this is when he mutates into a bug, and wakes up thinking that he is still able to move on to work. When he wakes up, Gregor does not seem to be in any real shock, and in fact is really passive believing that his work was more important then his obvious metamorphosis into a bug. Over time, Gregor excepts his transformation, knowing he is a monstrous vermin who is unable to do what he used to do in life, so his final decision was the choose the likes of death by starving himself.


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In the short novel The Stranger it was Camus who first introduced the idea of absurdity into the realm of existentialism. To absurdity springs from Mersault, who is an existentialistic character in relation to the world in this book, and the idea that he exists as a human being in society is inexplicable and wholly absurd. He does not wish to become involved with anyone, including God and his own mother and does not have any emotion what so-ever when she dies. Although Mersault does not want to become involved with anyone, he also does not want to create waves, thus he cannot help but to say yes to a friend when he asks him for help. He becomes susceptible to the physical. Mersault takes responsibility for his actions by being executed after he commits murder. The philosophy of The Outsider is a philosophy of the absurd. Its protagonist, Monsieur Meursault; a middle class bachelor with a painfully simple life, is viewed as indifferent in the eyes of society. He does not care and is not ashamed of it. But his indifference is not one of callousness but stems instead from the benign indifference of the universe in relations to his own existence. Camus has wittingly created his main character as a reflection of his own moral axiom that life is absurd and nothing else matters besides ones own conscious existence. Meursault is a stranger, an outsider, one who is at constant odds with the absurd society he inhabits. It's amazing how Meursault just drifts through his life, not really noticing his important surroundings and everyday life. The only thing that he actually notices is the 'hot sun' which he looks up to once in a while as he is walking in his daily life. He seems to be quite the dull, passive and submissive person as Camus portrays him, and yet he seems to be so intriguing and an interesting character too. Meursaults existentialist character is what makes him what he is in this novel, and shows him to be relatively shallow and in a sense superficial.


Both the stories' endings support the basics of existentialism by demonstrating the following rules responsibilities, loneliness, abandonment, no control, do not cause waves and the act of being uninvolved. Gregor and Mersault demonstrate all of these characteristics; however they do cause waves. As a result of Gregor's metamorphosis his entire family must change their lives and Mersault creates waves by committing murder. Unfortunately, whether it be because of their existentialistic characteristics or not, they both share death which comes to them at the end of the story. Perhaps the main thing that they share in common, is that they both "bond" as existentialist characters, even though they may differ in physical form, the core of the characters Gregor and Meursault are solely based on existentialism.


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